“Feeling Photos: Photography, Picture Language and Mood Capture.” In Tomas Dvorak and Jussi Parikka (eds), Photography Off the Scale. Edinburgh University Press, 2021 [More details here ]
“Of Tennis Courts and Fireplaces: Neurath's internment on the Isle of Man and his Politics of Design” in Jordi Cat & Adam Tamas Tuboly (eds) New Perspectives on Otto Neurath’s Life and Works With the 1940-45 Neurath-Carnap Correspondence, Boston Studies in the Philosophy and History of Science Series, Berlin: Springer 2019. [More details here ]
In press: with Rehan Hyder,“ Bristol: Urban Space and Underground Music Cultures”, in Ten Cities: Public Sphere, Urban Space, Club Culture, Goethe Institute / Spector, Leipzig, 2019. [More details here ]
Photography: The Unfettered Image, London: Routledge 2018. [More details here ]
Museum Media, edited by Michelle Henning, volume of the International Handbooks of Museum Studies (general eds. Sharon Macdonald and Helen Rees-Leahy, Wiley--‐Blackwell, 2015.[More details here ]
“With and Without Walls: Photographic Reproduction and the Art Museum” In Museum Media, edited by Michelle Henning, Wiley--‐Blackwell (published online 2013; print in 2015).[Available here ]
“The subject as object: photography and the human body”. Revised and updated version in fifth edition of Liz Wells (ed) Photography: A Critical Introduction, London: Routledge 2015.[More details here ]
with Rehan Hyder, "Locating the 'Bristol Sound': Archiving Music as Everyday Life". Sara Cohen, Robert Knifton, Marion Leonard, Les Roberts (eds), Sites Of Popular Music Heritage: Memories, Histories, Places, London: Routledge, 2014.[More details here ]
“Isotypes and Elephants: Picture Language as Visual Writing in the Work and Correspondence of Otto Neurath”, in Susan Harrow (ed) The Art of The Text, University of Wales Press, 2012.[More details here ]
“Neurath’s Whale”. In Sam Alberti (ed) The Afterlife of Animals, University of Virginia Press, 2011.[More details here ]
”The Cosmic Symbol”. In Fiona Candlin and Raiford Guins (eds) The Object Reader, London: Routledge, 2009. [More details here ]
“Legibility and affect: museums as new media”. In Sharon Macdonald and Paul Basu (eds) Exhibition Experiments, Oxford: Blackwell, 2007.[More details here ]
“New lamps for old: photography, obsolescence and social change”. In Charles Acland (ed) Residual Media, Minneapolis: Minnesota University Press, 2007.[More details here ]
“The World Wide Web as Wunderkammer”. In James Lyons and John Plunkett (eds) Multimedia Histories, Exeter: Exeter University Press 2007. [More details here ]
“Skins of the real: taxidermy and photography”. In Bryndis Snaebjörnsdóttir and Mark Wilson, Nanoq: Flat-out and Bluesome, Blackdog Press, 2006. [Available here ]
“New media”. In Sharon Macdonald (ed) A Companion to Museum Studies. Oxford: Blackwell, 2006. (Choice Outstanding Academic Title for 2007).[More details here ]
with Rebecca Goddard, “Fuel, metal, air: the appearances and disappearances of Amelia Earhart”. In Jane Arthurs and Iain Grant (eds), Crash Cultures: Modernity, Mediation and the Material, Bristol: Intellect Press 2003.[More details here ]
“Don’t touch me I’m electric: on sense and sensation in modernity”. In Jane Arthurs and Jean Grimshaw (eds.) Women’s Bodies: Discipline And Transgression, London: Cassell, 1999.[Available here ]
“Digital encounters: mythical pasts and electronic presence”. In Martin Lister (ed) The Photographic Image in Digital Culture, London: Routledge, 1995.[Available here ]